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We are excited to announce the release of a pivotal new book from the UNSW Judith Neilson Chair of Contemporary Art: . This important addition to the  is now available from Palgrave Macmillan.

Edited by Paul Gladston, Lynne Howarth-Gladston, Johnson Tsong-zung Chang, and Jason Kuo, this collection is the first to critically address in its entirety questions related to the displaying of Chinese contemporary art. It includes chapters by scholars and cultural workers from diverse backgrounds involved in the interpretation of artistic as well as curatorial discourses and practices. Each of those chapters gives a detailed account of a particular, socio-culturally informed, approach to the making and showing of Chinese art - including in relation to queer identities, transculturality, the use of social media, artivism, social engagement, institutional critique, and neo-Confucian aesthetics. Together they present a vital intervention with established curatorship amidst the intensely interconnected and increasingly multi-polar cultural conditionalities of early 21st-century contemporaneity.

¶Ù¾±²õ³¦´Ç±¹±ð°ùÌýmore publications by the UNSW Judith Neilson Chair of Contemporary Art team.